(Reblogged from theartofanimation)


On the set of Blade Runner — Entertainment Effects Group team filming the close-up of Sean Young’s eye for the Voight Kampff sequence, courtesy of our friends at Future Noir & douglastrumbull.com

Future Noir — Blade Runner archives — is a dedication to one of the most incredible cinema pieces in history and to all people who made it. Materials are collected all over internet and many of it from incredibly rich and thorough on-line communities dedicated to Blade Runner, although some items come from a personal archive.

Recommended viewing: Dangerous Days: On the Edge of Blade Runner  (2000) — documentary about the troubled creation and enduring legacy of the science fiction classic Blade Runner, culled from 80 interviews and hours of never-before-seen outtakes and lost footage.

These were taken on the last night of shooting (which was a 36 hour shift for the entire crew according to production executive Katy Haber) on July 9, 1981. Harrison looks exhausted, but maybe a little relieved that the long and dreary shoot is nearing its end. After shooting the parts of the scene covered in these photos, they moved on to the tears in rain speech.Rarely seen photos from Blade Runner

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(Source: douglastrumbull.com)

(Reblogged from cinephiliabeyond)

The History and Future of Everything — Time (por Kurzgesagt)

Nerd Attack!

15 Sorting Algorithms in 6 Minutes (por Timo Bingmann)

Google Street View Hyperlapse from Teehan+Lax Labs on Vimeo.

All Google Street View imagery captured using hyperlapse.tllabs.io. Source code available at github.com/TeehanLax/Hyperlapse.js.

Read the full story: teehanlax.com/labs/hyperlapse/

Bert Haanstra - Glas (por haploide allel)

Bergensbanen in HD (por Icureditwithmybrain)

(Reblogged from odditie-s)

The Making of Neon Signs | NEONSIGNS.HK (por wkcda)

Slow Life from Daniel Stoupin on Vimeo.

"Slow" marine animals show their secret life under high magnification. Corals and sponges are very mobile creatures, but their motion is only detectable at different time scales compared to ours and requires time lapses to be seen. These animals build coral reefs and play crucial roles in the biosphere, yet we know almost nothing about their daily lives.

Learn more about what you see in my post: notes-from-dreamworlds.blogspot.com.au/2014/03/slow-life.html

This clip, as well as stock footage, is available in 4k resolution. Make sure you watch it on a large screen! You won’t be able to appreciate this clip or see individual cells moving in a sponge on a smartphone. If you have a full-HD screen, when you enter full-screen mode, please press on “view actual size” next to the HD icon to improve sharpness.

To make this little clip I took 150000 shots. Why so many? Because macro photography involves shallow depth of field. To extend it, I used focus stacking. Each frame of the video is actually a stack that consists of 3-12 shots where in-focus areas are merged. Just the intro and last scene are regular real-time footage. One frame required about 10 minutes of processing time (raw conversion + stacking). Unfortunately, the success rate was very low due to copious technical challenges and I spent almost 9 long months just to learn how to make these kinds of videos and understand how to work with these delicate creatures.

I am glad that I abandoned the idea of making this clip in 3D (with two cameras) - very few people have 3D screens and it doubles processing time.

Please do not share this clip to promote or endorse marine aquarium industry. Do not misunderstand this statement: I have no problems with aquarists or the industry. I simply want people to admire life, but not to be told to buy stuff.
More about using my videos:

- Canon 7D (died at the beginning of the project as I had overused it in my research), Canon 5d Mkiii (90% of footage is done with it)
- Canon MP-E 65 mm lens
- adjustable custom-spectrum lamps (3 different models)
- several motorized stages including StackShot for focus stacking
- multiple computers to process thousands of 22+ Mpx raw images and perform focus stacking (an old laptop died on that mission after 3 weeks of continuous processing).

Edited in Sony Vegas, Adobe Photoshop CS6, Zerene Stacker, and Helicon Focus.

Visit my website to see more cool stuff: microworldsphotography.com
(consideration to buy a print from my website or to use the tip jar below the video is always welcome)

Inquiries/licensing/press: find my contact details here: microworldsphotography.com/About

Microscopic Worlds - Life that we don’t see from Daniel Stoupin on Vimeo.

A movie about microscopic life showing some of the freshwater microscopic fauna under high magnifications.

We are surrounded with various living creatures, but how often do we notice the tiniest ones and how small can they be? Such common but inconspicuous organisms like water fleas, seed shrimps, and hydras are less than a centimeter (0.4 inches) in size but they are very important components of the freshwater ecosystems.

The vast majority of organisms are even smaller and they are completely invisible with naked eyes. Using sophisticated optic systems I am bringing even the smallest animals before your eyes; they can be magnificent and scary, fast-moving or hiding; most of them look nothing like animals we see every day…

Attribution and credits appear at the end of the video

I am bringing my apologies for the narration quality and some imperfections for which I currently don’t have time

Visit my blog post to learn more about the video development:

All photographs appearing in the movie can be viewed on my web site:

The hidden life in pond water from Daniel Stoupin on Vimeo.

We don’t need to dive into the deep ocean to find the most unusual lifeforms. This short clip is a journey into a bizarre world of microscopic inhabitants of pond water.

You will see water fleas, bryozoans, water mites, mayfly nymphs, ostracods, and, of course, hydras. They jump, crawl, and float in a completely alien environment filled with mesmerizing algae and bushes of ciliates on stalks.

This video uses image that I made through a biological microscope and macro lenses. I believe that macro work added more depth and allows seeing whole animals in a more natural environment. The average size of the animals filmed was less than 1 mm.

Visit my website for more images: microworldsphotography.com

Cameras used: Canon EOS 7D and Sony NEX-7. Microscope: Zeiss Axioscope A1. Macro lens: mp-e 65 mm. Plus many additional tools. Although I spent about a week of filming, it took more than a year of preparations, developing the skills, and learning how to find animals… especially in autumn.

Would like to thank every friend who contributed to making this video!




Archist, Federico Babina

¡Mla ponerse a intentar adivinar los artistas que harían estas arquitecturas!

Federico Babina makes it again! ;)

(Reblogged from arquicomics)
The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one.
J.D. Salinger (via drunk-on-books)
(Reblogged from drunk-on-books)